palagimademedoiteyecandy:

fabriciomora:

Dina Haddadin

incredible section

posted on 13.04.27

babybabycross:

Laboratorio de Creatividad_Oporto_2012_ETSAM
Cristian Álvarez

babybabycross:

Laboratorio de Creatividad_Oporto_2012_ETSAM

Cristian Álvarez

posted on 13.04.27

volume-control:

Claire T. Carney Library, UMass Dartmouth, Mass, 1968
Paul Rudolph

volume-control:

Claire T. Carney Library, UMass Dartmouth, Mass, 1968

Paul Rudolph

posted on 13.04.22

posted on 13.04.22

arciphilia:

futureproofdesigns:

University Sketches
Dina Haddadin
2006

(via
TumbleOn)

arciphilia:

futureproofdesigns:

University Sketches

Dina Haddadin

2006

(via

(Source: fabriciomora)

posted on 13.04.15

nickkahler:

M. C. Escher, Ascending and Descending, Lithograph print, 1960
“The Penrose stair is an impossible object created by Lionel Penrose and his son Roger Penrose. It can be seen as a variation on the Penrose triangle. It is a two-dimensional depiction of a staircase in which the stairs make four 90-degree turns as they ascend or descend yet form a continuous loop, so that a person could climb them forever and never get any higher. This is clearly impossible in three dimensions; the two-dimensional figure achieves this paradox by distorting perspective. The best known example of Penrose stairs appears in the lithograph Ascending and Descending by M. C. Escher, where it is incorporated into a monastery where several monks ascend and descend the endless staircase. The staircase had also been discovered previously by the Swedish artist Oscar Reutersvärd, but neither Penrose nor Escher were aware of his designs. In terms of sound, the Shepard tone is a similar illusion.”

nickkahler:

M. C. Escher, Ascending and Descending, Lithograph print, 1960

“The Penrose stair is an impossible object created by Lionel Penrose and his son Roger Penrose. It can be seen as a variation on the Penrose triangle. It is a two-dimensional depiction of a staircase in which the stairs make four 90-degree turns as they ascend or descend yet form a continuous loop, so that a person could climb them forever and never get any higher. This is clearly impossible in three dimensions; the two-dimensional figure achieves this paradox by distorting perspective. The best known example of Penrose stairs appears in the lithograph Ascending and Descending by M. C. Escher, where it is incorporated into a monastery where several monks ascend and descend the endless staircase. The staircase had also been discovered previously by the Swedish artist Oscar Reutersvärd, but neither Penrose nor Escher were aware of his designs. In terms of sound, the Shepard tone is a similar illusion.”

posted on 13.04.11

hi-mi-zu:

Wandering Island

hi-mi-zu:

Wandering Island

posted on 13.04.08

booksnbuildings:

Gaudí’s unrealised project for a Franciscan mission in Tangier.

booksnbuildings:

Gaudí’s unrealised project for a Franciscan mission in Tangier.

posted on 13.03.27

acidadebranca:

tengoku-to-jigoku:

Otomo’s architecture drawings are amazing

Black & White Illustration | katsuhiro otomo | 2250

acidadebranca:

tengoku-to-jigoku:

Otomo’s architecture drawings are amazing

Black & White Illustration | katsuhiro otomo | 2250

posted on 13.03.21

nrqarq:

Sphere living house (with a slide) in São Paulo by Edward Longo, 1970

(via architecture-g)

nrqarq:

Sphere living house (with a slide) in São Paulo by Edward Longo, 1970

(via architecture-g)

posted on 13.03.19

fackyeaharchitecture:

writingaboutarchitecture:

define-space:

the shard by italian architect renzo piano.

sketches of london’s 310m glass sky scraper by renzo piano building workshop and michel denance.

writingaboutarchitecture: The Shard looks much better in drawing!

posted on 13.02.27

buddhabrot:

invaderxan:

itscolossal:

Behold the 3Doodler, the world’s first pen that lets you draw 3D sculptures in real time.

!!!

what 

posted on 13.02.19

unavidamoderna:

Dibujo de Casa Silvia Pinal, 1954
Arq. Manuel Rosen 

unavidamoderna:

Dibujo de Casa Silvia Pinal, 1954

Arq. Manuel Rosen 

posted on 13.02.12

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